In a sombre, pessimistic world of increasing electronic isolation, a nostalgic festival celebrating encounters and diversity (cabaret) – instead of fearing them – becomes a refuge and distraction. Or even a way out?

The point of departure is Mauricio Kagel’s ›Concert-Spectacle‹ for artistes and musicians which reverses the rules of classical cabaret: the music is not random accompaniment for staged attractions; instead, it determines the cabaret programme according to musical criteria.

Taking this as his point of departure, the Argentinean composer Martin Matalon has created a new composition. His music is constructed like parts of a puzzle with different geometry, colour, form and temporality, enabling the dancers and acrobats to interact as a counterpoint and projection of themselves.

In Spectacle Spaces, the musicians become a central and integral part of the artistic overall concept, based on the two scores. The contrast between contemporary music and astounding, entertaining cabaret arts is dissolved in a playful manner, questioning the borders between genres and formats: a spectacular evening full of enriching contrasts.